Welcome to New Zealand! (oh yes, it’s sarcastic!)

I stepped off the plane, thanking the stewardesses with the funny veil dropping from their heads. I did not find the one steward who spoke Swedish. I assumed it was the one who was flirting with me when he handed me my brunch (which was strangely edible), but I wasn’t sure.

‘Excuse me, can I see you passport and arrival card?’ a customs officer.
‘Of course you can!’ my courteous reply.
‘Travelling for the first time to New Zealand?’
I say yes and tell him a short version of how I ended up here and how long I’ll be here, where I’ll go and all the things he needs to know, being very friendly and cheerful (I did have a happy hangover).
He writes codes on my arrival card: 1, 2, 4, 9, 29, X, X, X. I assumed the X’s were kisses of good luck.
Fifty metres on, a new customs officer asks to see my passport. He’s less friendly than the previous one, but I continue with my very friendly mood. He writes two V’s on the back of the thing and looks pleased as he sees the rest of the codes are already filled in.
As I continue walking, I pass three more customs officers who all want to see my passport; they all grin when they see the codes have already been filled in. I realise I am wearing an orange very retro-style shirt. I am the only one they seem to stop each time. Past another checkpoint, a “4” is put on the back of the form and the man arrogantly tells me to follow the blue line. On my way following the blue line, more people ask for my passport. Whenever they do so, I always think they want to shake hands, instead they’re already grabbing for my passport.

About 16 tables. Only arab and Asian people sitting near them. Their luggage spread out. ‘I shouldn’t have worn this shirt,’ I think out loud.
‘Do you speak a bit of English?’ a girl asks me. I’m happy it’s her and not one of the arrogant looking officers.
‘I speak it brilliantly, don’t worry,’ I say smilingly.
A whole series of questions follows. Her supervisor passes by and looks at me suspiciously, whispering loudly in her ear: ‘check everything, he’s got something on him!’ She smiles. I don’t stop talking to her, asking her about her job and how I think it’s all because of my shirt I’m there. We’re having a friendly conversation.

More questions.
‘What’s in your bags?’
‘Let’s see, in this one: clothes, underwear, a toilet roll, computer cables, DVD’s, toiletries. In the other one: my laptop, my camera, some books, my journal, more computer cables,…’
‘Anything… that I might be interested in?’
I laugh and say: ‘Deodorant?’ She starts laughing loudly. Anyone else would have been very irritated.
I continue saying: ‘No, if it’s drugs you’re after, I haven’t got any. The only thing in it is two cans of bourbon & coke, though I hardly think that’s an offence.’
‘Look, here’s a form in which you can declare items and this is your final chance to tell me what’s in those bags. You’ve got something and we’ll find it. Anything you don’t list here can and will be used against you.’
I fill in the two cans of bourbon & coke, sign the form and give it back to her.
‘Are you sure that’s all?’
‘Look, I haven’t got any drugs with me, okay?’
‘Sure, here’s a pamphlet for you to read while I fill in some more forms in. I’ll find them, you know!’
I ignore the pamphlet and open a tourist guide to Auckland I just picked up. I sit myself, talking a bit more about things to do in Auckland. I tell her I shouldn’t have worn the shirt.
She objects and says: ‘No, why would you want to look like anyone else. I can see it’s a part of your individuality, so you shouldn’t do that to be like everone else!’
‘No, but if I would, I wouldn’t be here now, would I?’
‘Still, I don’t think you need to be anyone but yourself.’
‘I feel the same way, though it would be good to skip all this fuss.’

She starts going through my bags, taking everything out. She says she likes my clothes. She goes through my DVD collection and tells me she just started watching Six Feet Under and tells me she really likes it. She stumbles upon a card I bought at Melbourne airport with Jim Morrison’s face on it.
‘Ah, Jim Morrison!’ she smiles.
‘Yeah, he’s HOT, isn’t he?’ I proclaim.
‘You look a bit like him in this picture.’
‘No, it’s the other way round; he looks like me, I don’t look like him.’ We both laugh.

Her supervisor walks past and tells her to check my jacket. He gives me another glare. No kilos of heroin found in bag number one, she goes to bag number two. She takes out my laptop, my camera (‘nice camera,’ she says), my journal, some books and my toiletries. She starts going through them and notices my contact lenses and asks me about them. ‘You wear contacts?’
‘Yeah, they’re great! I don’t have to take them out at night, really handy!’
‘Were they expensive, I used to have them, but they’re very expensive.’
‘Oh no, I bought them on the internet, they cost about 200 NZ$.’
‘Really? That’s cheap, man! You see I’m wearing glasses just now, right? It’s ‘coz these contacts are way too expensive!’
‘You should check it out on the net!’
‘Yeah, I will.’

Still no drugs, my bags taken to an X-ray machine, a search for secret compartments. Still nothing. She promises me a glass of water, but will never get me one. I don’t blame her for anything and tell her she’s just doing her job. I start reading the pamphlet in which is said that they did not pick me for my ethnicity, religion or sex. I look in the room and notice how this theory is put into practice. Arabs. I tell her how I do think what’s happening here is racial profiling. She tells me it’s nothing like that: ‘I mean, you’re European, you’re here!’
‘Yeah, but that’s just because of the shirt, basically. And I’m the only one, too.’ More arabic people line up in the waiting line.
‘Well, what we look for is certain indicators, you know. Like is it your first time here, did you book your flight very late, …’
‘…do you look like a hippie,..;’ I add.
She smiles.

The final test is chemical. She puts on a pair of rubber gloves (making me ask: ‘Are you going to do a cavity search?’ She smiles and says: ‘Do you want one?’ to which I say no, not really). She begins the test: ‘This WILL show if there’s been contact with drugs on your clothes.’ She smiles again, this time thinking I had not thought of that. And she was right, I hadn’t thought of that.
Nothing.

Nothing found, she helps me pack my bags (something I thought they wouldn’t do, and I didn’t see it happen with any of the other ones, too – she must have liked me), and escorts me to the exit. I tell her goodbye and wish her a nice day and she wishes me a nice stay and apologises for not bringing me the water. Five minutes later she runs after me, telling me she forgot to give me my passport… We both laugh and say goodbye once more.

Two hours wasted, but I had fun talking to her actually.
My days of misanthropy are over.

Cool.

I stepped on a bus to Auckland city, a friendly bus driver insists on taking a detour to drop me off on the street where I have to be. I thank him for his kindness, and smiles appreciatingly. A guy on the bus is shouting to take him to the airport.

It was the best sushi I ever had.

I said last week I would start re-reading myself in all I’ve written and I’m glad to say that I have done so (not only proving for once and for all that I am not illiterate, but also that I do as I promise). It was a strange experience to do so too, in the sense that much of what I’ve written made me recall perfectly the mood I was in and the emotions I was feeling at the time of writing (which, I guess, is the whole idea with any journal or type of diary; to remember). I am not hiding the fact that tears were leaving my eyes at certain points (there goes my macho image…) which was actually more relieving than stress-inducing. I used to say – more than a year ago – that I was unable to cry and that I hadn’t cried for many years. It is key to my ever-developing persona in this world that it is something I have learnt to do all over again. Cropping up has made space for letting go.

And I read. And read. After finishing this, I went to my written journal before I stowed it away in the box I have now sent back home to Belgium via sea post. And I read. Looking at myself in a third person perspective, the way a video game player controls his character (my alltime favourite character is George Stobbart from the Broken Sword games). The written one proved more difficult to read, not so much because of my handwriting (since I had had to switch to ballpoint pens instead of the fountain pen I can write legibly with) but because of what I was reading. Things I had forgotten, minute descriptions of vague actions or events, details that caught my eye, sneeky things I could only trust to myself.

And then there was nothing more to read. I dried my eyes, sealed the box and took it to the post office. I now have a new more compact journal for the rest of my trip. I paid the 97 dollars to get it put on a boat to my home address. I will read it again in three months time. I stepped outside, called to a New Zealand vaccination clinic to make an appointment for Friday to get vaccinations for Thailand and Hongkong, and I went off to a sushi place. They were only preparing for their noon rush (it was about 10.30) but they were willing to help me get the rolls I desired. As I got home and started eating them, I noticed how good they were: creamy rice, plenty of fresh ingredients and full of flavour.

And that, my friends, was the best sushi I ever had.

A tear escaped and I went off to get some sleep.

Aqua vitae

It did not matter who you were at the time, a smile upon two lips were formed and never left, never ceased bending upwards, drawn by Damocles’ magnetic sword. A statue capable of living, a puppet on a string, a blind man eying his seeing eye dog. No no no, the smile itself, it never left – the pure aspiration of future joy never got crushed (like so many victims did in the meantime). Which direction it’ll take, that cannot be said – it took tons and tons of dynamite to bring down the oldest statues in the world in Mesopotamia, and still they’re trying to get rebuilt. Realisation of this by you might come too late, too little and too afraid to respond. But it is a kiss that stands, metaphorical, dreamlike, yet you know it’s there, and it’ll always be there. There cannot be a first person in this tale, a narrator that needs to be everyone at once, all encompassing. All because of devotion, and possible a sputtering engine of hope (it is no fountain of hope, surely not – that image wouldn’t portray the sheer energy and will that is involved). It wouldn’t be deemed plausible, but surrealities are more livable than colourless lifetime imprisonment. And smiling, smiling, smiling, a next challenge needs to be taken, erosion making edges smoother and smoother until no edge can be seen anymore.
Reinstatement then, restauration to former glory, lips upward, expectant. Out of here, out of here, back to the initial state, the original frame and country of origin. No one will be reimbursed, only punished if these images are disturbed…

Outside

Outside, a bleeding cold as I sneeze
nowhere –
I raise my arm to a taxi,
get ignored
the taxi crashes into a car
(the taxi driver will die two weeks later,
when he will get run over by a cyclist;
the taxi driver’s union won’t believe it’s just an accident –
they will attempt to assassinate the cyclist)
I walk on, squandering my strength,
a streetcat walks up to me; I pet it,
give it some money and go on –
an ambulance is speeding towards the accident scene,
(some tourists are taking pictures of the bleeding driver
of the second car as they watch him burn to death)
I get naked and walk on, I’m invisible anyway,
I laugh as a blind man runs into a tree
spastically –
(the blind man deserves no pity though,
he has more money than you or me)
in the middle of a shopping street, people
jazzing in and out of stores, I
masturbate
because I am so turned on
(a tourist who followed me taking pictures –
he will sell them online and make a fortune
but gets killed a year later – nobody will ever
really know why)
and I get back inside
cold yet satisfied.

/timpeltje

I’m yearning for change. Just four more days of this… I’m sure it’s all this mental instability that gets me from A to B, or say from Gent to Madrid, unwillingly from Madrid to Sydney, hopefully from Sydney to Melbourne, excitedly from Melbourne to New Zeeland, from (it’s not finished yet) New Zealand to Darwin or Cairns, and so on… Okay, it’s the start of a sort of trip, so I’m pretty much excused from those last couple of moves. Anyhow, I haven’t found the reason of existence yet (I was close a couple of times, but got drunk and forgot what it was (just my luck!)) though it must have been all about this quest for my own affirmation as an outsider, to define that for myself, get away from that familiar world that seemed to impose conformity on me. Or whatever.

*burps*

*farts*

*giggles*

Just a day like any other…

‘Oh my, timmy boy, what is wrong with you?’
‘My dearest, I think it is life I’m suffering from…’
‘And my absence.’
‘Yes, that too – but let’s not go into that, I haven’t eaten yet and my wonderful new contact lenses are showing signs of weakness.’
‘Signs of weakness?’
‘Well, yeah – they said I could keep them in for 30 nights and days in a row (as their name implies: “night and day”), but I’m struggling with my right eye a bit.’
‘Maybe it was from going out last Thursday. You know, you shouldn’t drink so much.’
‘And maybe you should shut the fuck up.’
‘Jeezes, I was just trying to help.’
‘Yeah, I know, you’re being kind to me. I know I went out and got wasted. I shouldn’t have. I mean, I knew I had a big translation with a tight deadline the next day. Well, I couldn’t know the translation girl would send me even more work on top of that for the same deadline.’
‘Did you manage to do it all in time?’
‘Yeah, you wouldn’t believe how fast I was translating. You know, I had a very big hangover and all that. I got home at 5.30 I guess, because I do remember watching Australia play Croatia, I remember seeing the penalty, but then I passed out before the second half. I woke up at 12 and worked for 8 hours straight. I made about 600 euros too.’
‘Big boy, will you buy me dinner?’
‘Sure, I’ll do a lot more for you, too.’
‘Such as….?’
‘Hmmm… I’d rather surprise you.’
‘Okay, okay. I’ll not push you. I look forward to that dinner though. I haven’t eaten in months.’
‘Shouldn’t you be dead by now?’
‘Not really, I’m always alive, I just need to bed fed once in a while. Did you have fun going out?’
‘Sort of. I mean, I really like that-lesbian-girl-who-looks-like-my-mother-when-she-was-young, she’s very cool. Other than that, the usual.’
‘And that is?’
‘Oh, you know, the superficiality and all that. People throwing themselves on me like flies on shit.’
‘I wouldn’t compare you to shit.’
‘Yeah, well, it’s true. As long as you see it’s only a metaphor of course.’
‘Hehe, don’t worry.’
‘No, it’s been like this for some time. I think about ways out. And sometimes feeding you is all I can think about.’
‘But you never do…’
‘I want to; it’s just… it’s not that easy, being where I am, you starving in the distance. You need to see me more.’
‘Oh, I need to see you? I’m fairly sure it should be the other way round. I mean, YOU’re the one leaving all the time. Melbourne is a thing of the past now, is it?’
‘Okay, okay. I’m sorry.’
‘I’m not asking you to be sorry, I’m asking you to realise this.’
‘Hmm…’
‘But you’ll still take me out to dinner, you filthy rich bastard?’
‘Oh yeah, definitely, haha. It’s actually something I really want to do for you.’

‘Who are you talking to?’ someone asks who passes me by.
‘Oh no one, I was just… euh… thinking out loud, yeah, that’s it…’ I say.
‘My God! You’re weird!’ She says and walks away.
I did know the answer to her question, though.

This truly is introspection.

Short day today, strange day too. Strange days I’ve been living recently. Unlike the last couple of days, I’m not forcing myself to write something semi-fictional today, though I must admit I really liked yesterday’s entry on my prison neighbour and me – semi-fiction, because the only thing I can see in the cells is the lights from the tv and the lights in the room, maybe some shadows and I haven’t seen any of the tv’s on a channel I was watching; the documentary on CLipperton Island was broadcast a couple of days ago, not yesterday. Yesterday I was watching a documentary on hiv/AIDS in Russia and I decided to go for the Clipperton Island one since it was much more symbolic/romantic for both me and that fictitious prison inmate. I also like the absence of judgement, the depiction of both of us as prison inmates looking into each other’s lives. Well, “one shouldn’t blow one’s own trumpet” even though this can be pleasurable. At least some thought went into it.

A couple of things I did today involve watching Sweden play England, with me supporting Sweden, I slept from 7AM to 3PM (a pattern these last weeks), then I started browsing some political websites on the extremist right-wing party Vlaams Belang in Belgium, thinking about joining in one or several of the groups that try to create awareness to their voters of what these people really stand for, then I was looking into the official website of North Korea, a very laughable piece of webdesign by the way ( http://www.korea-dpr.com ), and I found out that they even have an organisation in Belgium. They were looking for translators English>Dutch so I sent my application, eager to receive some (hilarious) propaganda (I don’t expect them to give payment – I asked for it – but maybe… euhm… they’ll give me a chance to see the Great Leader Kim Jong Il at some point in the future). I found out how much a ten day organised trip to North Korea would cost: 2200 EURO and the funny thing was that they explicitly stated that they ONLY accept cash Euro payments when you depart from Bejing, the Euro as a strong anti-American global currency, it’s happening my friends. They also said you couldn’t be a journalist or with the media, you weren’t allowed to bring video cameras, mobile phones, PDA’s and all kinds of other equipment into the country. I would be able to attend the mass games there of which I’ve seen several documentaries and the gargantuan efforts put into really make it some sort of spectacle.

Anyhow, I just watched a Swedish culture programme that was entirely devoted to Bret Easton Ellis. Having totally loved his Glamorama, I was of course really interested in what the man had to say (to a lesser extent, my interest was also in American Psycho) and I keep on finding it strangely affirming for myself that there are many things I share with a lot of writers, biographically that is. What I will write will be a culmination of my personal experiences, horrors, and also of what’s on my bookshelf. This seems fairly logical (which it is, obviously) yet I feel that the “sort” of literature I will eventually produce (I have dropped any “if”s for my own mental well-being) will also stand out because of the twisted things I have come across in life. hmmm….

This is all getting a bit vague for me now, all I just meant to say was that I am shaping things up in my head: plots, schedules, characters, philosophies, etc…

I did feel like I lost the will to live this past week (proven by my will to sleep for 16 hours a day, press the snooze button for two more hours, procrastinate everything I planned, go to the supermarket, eat, go back home, jerk off and go to bed again (during the weekend, I sleep less, just go out and get wasted, which is even sadder)), though I’m improving, today actually. I’m also feeling less sick. There is still this natural angst withing me (Heidegger, was it?), though it’s not suffocating me as much today as it was yesterday.

the boy running, hunted by police,
catching up, he hides a move, shakes them off,
a gutter trip, head down first, men on top,
flashes, legs, a cry of pain, mud splatters up,
the eyes of a background lover, eating dirt,
leather and stomach collide, back and pavement
crunch, crunch, a knee between shoulders,
breath of sewer air, truncheon crumbles
up and down, clothes off, wetness pains and
penetrated, that lover looking in disgust
and fades before him then the darkness comes.

A look inside.

I live across the Melbourne Assessment prison. They put people there who’ve just been caught and are waiting for their trial to be then stowed away in some more remote prison where escaping equals certain death. When the sun has set, it is possible to see lights in different cells, people watching television like I could be doing. I could notice from the colours of a TV set that one was watching a documentary with me tonight on Clipperton Island, a deserted island somewhere in the Pacific between New Zealand and Chili, as remote as you can be from any world that imposes you to live in a tiny cell for a number of years. I understood why he watched it. There was some movement in his cell when the story was told of the last inhabitants of Clipperton Island, a Mexican contingent that were forgotten about because of some government unrest in mainland Mexico. Without supplies or awareness of the world, the lighthouse keeper proclaimed himself emperor of Clipperton Island, went mad and enslaved the women of the rest of the Mexicans. He must have killed the men, I presume. The women were rescued by a passing American ship and the lighthouse keeper was left by himself, the emperor of a million birds, five million crabs and a big rock upon which his lighthouse palace stood. I think my neighbour liked the story too, both smiling at it from our different cells. For the same reasons, too.

Neighbours though we are, there is no contact between us. He must be able to look inside my apartment, as my blinds are always horizontal, never up or down. I allow him to watch me. Not because being observed is something I draw a fetishistic exitement from (which I do, but that’s something else), but because I shouldn’t prevent him from having something to watch besides his television life. Something tangible. He might have caught me drunk, dancing around, preparing dinner for a friend, watched me outside with my groceries, watching me unload my groceries, kissing a boy, showering, taking a bath, etc…

Maybe it eases his mind to have something to observe, something he can be sure of. I have spent a night in a prison cell and I realised I would go mad very soon if there was nothing livable to be seen, if it was just me and my thoughts in a confined space of semi-darkness.

Tonight we’ll both conquer Clipperton Island.

Delirium

All I do is talk in verses, meaning and interpretation are left to be decided upon by that undivided mind I expect a reader to have. But it’ll never be clear enough, encapsulated in a dark core, a black hole whose gravitational force is stronger than the speed of light. Nothing to be seen, all is interpretation of the voids I describe with this sick and sarcastic voice.

‘Sing for me,’ my plea into that void.
‘What do you want me to sing?’ the darkness asks me.
‘Soothing words, a song to say goodnight.’
‘Will you sleep?’
‘I intend to.’
‘Are you tired?’
‘No, no, I’m not tired. I just sleep, because I am addicted to my dreams.’
‘And life?’
‘No, it’s never so eventful. I can’t seem to fall asleep anymore, though. That’s why I want you to sing for me…’
‘Basically, you ask me, a space of vast emptiness, for pity?’
‘Yes, I do. Maybe you will understand me.’
‘I won’t. I see a tear in your eye…’
‘It’s from the cold, I…’
‘Nothing more?’
‘No, no, it’s just the cold. My body aches. You wouldn’t happen to have a Xanax for me, would you?’
‘No, I don’t. I have nothing to offer you, and you know it…’
‘And what about my song?’
‘I offer you nothing except for what I am and what you know I stand for.’
‘But I am dependent on you…’
‘That is preposterous, you only depend on the effect of despair and pain I embody.’
‘Can’t one depend on that?’
‘Only someone who asks me to sing a song for him and give him a Xanax.’
‘Which you don’t consider okay?’
‘It shouldn’t be like that. I am by myself because I am conceptualised like that, it’s in my nature. I don’t accept you because of what I am founded on.’
‘Are you capable of change?’
‘If you mean change as an tampering with my definition, then no. I cannot adapt myself to you, because it wouldn’t do me much good. Besides, I’m not really interested in changing it. I have been like this for as long as I can remember.’
‘You used to frighten me.’
‘And you frighten me! Wherever you came, I fled.’
‘True… Please sing me song. Just for tonight?’
‘I’ll sing ‘Everything will be alright’ by The Killers for you. And then I want to be left in peace.’
‘Fine, thank you, thank you…’

The song starts to play.
I doze off into a surreal dreamworld delirium.
And nothing changes.
‘Nothing ever does.’

I have an auwy!

My Saturday night and Sunday in numbers:

8 – the amount of dollars my drinks cost last night, the time I came home this morning

? – the amount of drinks I eventually had

1 – the amount of throats that are hurting me badly right now, the amount of toilet rolls I used to blow my nose today, the amount of things I can do at once today, the amount of guys who said last night that I should do modelling, the amount of guys who said last night that I should do drag, the number of piercings I’m considering of having, the amount of pepperoni pizzas I will have for dinner tonight

4 – PM, when I woke up thinking ‘Phew! I thought I overslept!’

200 – the amount of guys that wanted my body last night

3 – the amount of guys that said they wanted my body last night

0 – the amount of guys that got my body last night

35 – the estimated amount of guys I passed my cold/flu on to, my IQ today

2 – the amount of sossage rolls I had for breakfast when walking home

1500 – the estimated amount of meters I walked today to get fresh milk, orange juice, bread and some peanuts I don’t like

11 – the amount of days until I’m in New Zealand

Mann gegen Mann

I’m counting the days. It makes sense to me that I do. Nothing that keeps me here, nothing that makes me regret my departure. And I’m counting, twelve days. Another week passed in which nothing really happened, everything seemed so distant from my personal experience. I slept until 16h today. I’m going out in a bit, keep myself occupied, possibly get drunk, kiss someone with bin juice breath, struggle to get to my bed, fall asleep on my bean bag, drool all over it, clean it up when I get up, and then another day will have passed. Gloom.

But also excitement. I am not trapped in this life.

I’m thinking now of a Family Guy scene I saw last Thursday while going out. Chris Griffin says something about people doing crazy things when they’re in love. A flashback brings us to Vincent Van Gogh giving his ear to a girl he loves.
‘You don’t… like it?’ Vincent utters surprised.
‘No, I mean, it’s an ear!’ the girl points out.
‘Ha… well, I thought you might like it. Well, at least it’ll be a funny story to tell our kids!’
The girl looks away.
‘You… don’t… want kids…? Jeez, I wish you told me this before I cut off my ear. Bitch!’

I love their reinterpretation of historic events. Ridicule is good. It keeps me going. That and lust….

Boy, strolling past me: it never stops,
you have no direction, yet it seems I follow you
everywhere, but nowhere is there my hand in yours,
my breath in yours – mistaken current, dreams of falling
down in autumn life – yet you stroll past me,
without direction, yet always in my sight,
as if you follow me into my illusion –
all my lines to you are exorcism,
sighs that fail to hide my self –
and you stroll past me,
stroll past me, forever in my sight,
never there, yet my fix is on that blurred image
of another universe, the one of comfort.
I try and avert my eyes, closing them,
yet you stroll past me,
yet you stroll past me.

/timpeltje