Sounds of Innocence

I cried for you to speak, utter me the words you were thinking of, but all I heard was silence, a car passing by in the background. Instead, a smile. Another car passing in the background, a sound of what appeared to be the wind rushing through some foliage, and a sigh. Your sigh. I was expecting all the sounds I was hearing to tell me whatever you weren’t telling me. A cyclist ringing his bell trying to avoid an uncoming bush. Instead, a compassionate smile and open, very open, eyes. A cyclist crashing into a bush. Inanimate like two unmovable statues – if only that were the case – close to touch, but waiting for a moment that might not come. The sound of two passers-by talking about the meaning of life, pointing at you and me. Our sculptor takes off our clothes, pavement nudity. A pedestrian says it’s twelve o’clock. Still no action; stillness is our desire now, fear of movement, fear of time breaking us. A car crashing into the bush where a cyclist was trying to recuperate. We breathe cold air, clouds shielding our sight of each other. You are shivering, I tell myself I can actually hear you mumble some words of comfort to me. People screaming everywhere for a dead cyclist. You tell me nothing, death is around you, but so am I. A playful child passes by, looking at our gaze, and slaps you hard on your bare behind, then runs away giggling. You don’t twitch as the slap resonates in our ears. Sounds of an ambulance coming to revive the wounded bush. We try to move closer, at least I think we do, but a couple of short breaths is all we can give. Sounds of an ambulance smashing into a car that has run into a bush and killed a cyclist. Our gaze is fixed on each other.

And then, suddenly, I don’t hear anything but your sounds. Louder and louder. The background has vanished and my focus is on you.

‘Please speak,’ I say.
You open your mouth and start talking, relieved.
‘It’s okay, I know,’ I whisper.
And you talk.
The clouds of our breaths disappearing.

A new dawn.

coming to me
asking me what I wanted,
unwilling to express world angst,
coming to me
blood fleeing to our cocks,
(where it believed it could escape)
coming to me
again and again, until blood stuttered,
coming to me
coming to me
ceaselessly
coming to me
only once,
all else I lied about.

/timpeltje

Random thoughts of today:

“It’s cold in here.”

“I think I lost my winkle.” (see photo above)

“Goodbye, you childish nitwit.” (not directed to anyone who might read this)

“I love me.”

“I love.”

“I wish I was drunk.”

“Go Socceroos!” (I admit to having supported Australia tonight… I hang my head in shame… but what a game it was!)

“I wonder if my sheets will be dry by tonight.” (they are! – this is unrelated to the initiation practice of the Bedwetters’ Club)

“I can’t believe you actually think that. There is NO life after death. Astrology is NOT a science. And Darwin is spinning in his grave because of you, creating enough energy to boil an egg until it cracks out of its shell to turn the heat down.” *tries to cool down* (a discussion I had)

“Think unsexy thoughts, think unsexy thoughts, think unsexy thoughts, etc…”

Language Barriers

It can be so difficult when two people can’t speak the same language. Philosophers everywhere talked about intercultural communication, about how two people who don’t share the same language will be able to understand each other if they just follow ten easy rules. Or that was the idea at least. I won’t dig too deep into the theory of last year’s philosophy course, but I can exemplify how difficult it can be for people of the SAME cultural background to come to an understanding. Yep, it’s time for some good old-fashioned Australia-bashing!

Here for instance, the conversation between a mother and her five-year-old daughter at the National Gallery of Victoria this afternoon. The mother was seemingly stressed because of her daughter’s hyperactive nature. I can acknowledge that because the kid irritated me too.
To keep her daughter busy, she asked:
‘Why don’t you go and look out that window for a bit?’ The five-year-old stops shaking the buggy of her younger sister and heads towards the window.
‘What do you see?’ the mother asks.
‘There’s a train, I see a train,’ the child says excited.
‘Did you say you saw water?’ the mother asks, not having understood her daughter.
‘No, mum, is a traaajjjjnn!’ the child’s tongue proclaims in a harsh Australian accent.
‘A tree?’
‘NO! I sid i’ was a traaaaaiiijjjjnnn!’ the girl at this point seems to question her mother tongue, wondering what is wrong with it (I could have told her, but she irritated me too much to even care).
‘AAAHHH!! A TRAM!’
‘Yes, mum, a train!’

Not taking the child’s (or the mother’s) observations for granted, I went to have a look at the view outside the window. There were no trams, trains, trees or water to be seen. Then what had the girl been trying to say? What did she see out there that I couldn’t see? Did I even speak their language? Was I capable of even understanding them?

Puzzled, I left the art gallery, never ceasing to stop questioning what on earth it was I was doing here.

like a true child of my age…

You scored as Postmodernist. Postmodernism is the belief in complete open interpretation. You see the universe as a collection of information with varying ways of putting it together. There is no absolute truth for you; even the most hardened facts are open to interpretation. Meaning relies on context and even the language you use to describe things should be subject to analysis.

Modernist

100%

Postmodernist

100%

Materialist

100%

Cultural Creative

69%

Romanticist

50%

Existentialist

44%

Idealist

38%

Fundamentalist

25%

What is Your World View? (updated)
created with QuizFarm.com

postmodern, moi? well, yes, really…

Tintin and such…

I’m Tintin again, fictional and exploring a world I’m no part of. I called these places deserts, emotionless harsh lands that test my mental endurance time and time again. I surrounded myself with people, mostly men who were too blind to notice the desert around them. That’s why Tintin is so eternally different from everyone he ever meets. In a desert, you need some sort of direction, and relying on the sun’s movement is too limiting to be satisfied with anything. Without direction, you end up exhausted, diving in an oasis that doesn’t exist (in true comic book style, you dive into sand and let out a series of censored curses before you continue).

Sometimes you wonder what it was you actually came to find, travelling further and further into the heart of the expanding desert. A way back is not improbable, it might turn out to be as difficult as the way ahead. Nonetheless, you see it as something comforting, something of which you can’t seem to remember why you gave it up in the first place. But then again, if nothing happened, it would be a very boring comic book. So you need this sense of adventure then.

I’m going to look for some shade, maybe drink a mojito under a palm tree in the company of someone who crossed my path. I know it’s not in the script, but let’s just take a break. It’s just a set anyway. For this comic book we’re making.

One mojito please.

The only way to dance

The only way to dance

Fingers of cavernous glass, I twitch,
count them, lost a few – the dead will
lose some more – bleeding head that’s
crunched together by a brick wall upon it,
barely saving my innocence, but not quite,
since his eyes seem to pop out towards me
because of the pressure four thousand cemented
together bricks can put on one’s face – you
don’t hear it crack, you feel it screeching
through everything you’ll ever see, Damocles’ sword
not peacefully floating, but in a constant stab
to which you can’t seem to succumb. The only thing
horrifying you, was that you kept on staring –
as the images were being broadcast on worldwide TV –
you kept on staring
to the dancing flies, and you will just feel gutted
that you didn’t notice them before, delightful,
those dancing flies,
those dancing flies.

/timpeltje

A night of going out.

I could have gone out tonight. I’m not, though. It’s always the same. I just read and read tonight, finished Bret Easton Ellis’ Glamorama. I loved it. A captivating book, full of wit and great postmodern ideas that I just couldn’t put down. It excited me (some parts even physically), it revolted me with gruesome descriptions that were rendered neutral/comical. Dark satire is great.

A main subject of the book is about superficiality, about looks over brains. Recognisable no doubt from any perspective (not necessarily gay).

I know I’m not missing anything by not going out. This is what would happen if I did go out tonight to some random place in town…

Out of it.

Tonight I’m wearing my tight blue jeans of which I know they show off the firmness of my bottom at the back as well as a (slightly exaggerated) bulge at the front. Studying it, I noticed once that my natural bulge was being enhanced by the thick six black metal buttons that prevent my black underwear from exposing itself. Breathing in as I close them, I look into the mirror, wondering whether or not if I’d shave off the treasure trail that seems to have grown back from my navel down to… well, treasure, baby! I stroke the soft dark hair a couple of times, grab my camera and its remote control and quickly take some pictures posing for my own pleasure. I look at the two-dimensional results on the 2.4 inch LCD screen, zooming in on my abdomen, trying to trace the first signs of the six-pack I’ve been going to the gym for recently. Happy with my look, I sip from a glass of Cinzano I poured out for myself some time earlier, just to get in the mood a bit. My top will be a striped retro shirt I found in the girl’s department of a vintage clothes store in Sydney where I was complimented by somebody whose face I can’t remember on how well it looked on me and how it perfectly matched my whole style. This semi-rock ‘n roll look is completed with the never-absent Converse Allstars, the only brand name I allow to be shown from my clothes.

I finish my second glass of Cinzano, feeling confident. I put on my jacket and I decide to go to Click Click again. I was there last week with a short-term friend/fuck and I quite liked the indie music and ‘hip’ crowd. I remembered flirting with some other guys too, so tonight should be alright. It’s just a five minute walk, so I slip in still tasting the Cinzano on my palate. I pay the nine dollars entry and slowly make my way through the crowd of groups standing together. Out of instinct, I head for the bar and order myself a double gin-and-tonic; ‘just to get in the mood’, I tell myself. Drinking swiftly, I patiently wander around the whole crowd, my eyes rapidly browsing through the array of available men. My gin-and-tonic is quickly emptied into my throat, my heart gradually starting to pump more and more alcoholic blood to my brain. I return to the bar, I have to wait behind some ugly old guy ordering a couple of beers with a cigarette dancing on his lips, smoke parting from his mouth, his nose and, it seems, also his ears. I give him a condescending look before I order a glass of white wine; the girl taking a beer glass starting to fill it with wine. I pay for it, leaving no tip (I say to myself I do this because she didn’t fill the beer glass enough to earn herself a tip), and then I head towards the dance floor where I start dancing to some indie songs I’ve never heard before. I take to the stage and have a clear overview of the whole dance floor. Only one or two people seem to notice me, but this doesn’t have any direct effect on my confident style of dancing. Apart from the orders at the bar, I haven’t said anything yet.

Between half an hour and two hours later, I find myself talking to some 23-year-old who’s name I will have forgotten when I’ll wake up next to him the following morning with a huge hangover, moaning incessantly (which seems to entertain him). I’ll call him Jakob for now.
‘Hey!’
‘Hey!’
‘I just had to tell you that you look really cool, dude!’ he reveals.
‘Thanks man, I like how you look too!’ we both laugh, aware that more of this small-talk will eventually get us the sex we crave for.
‘Are you here by yourself?’
‘Yeah, I needed to get out tonight. You?’
‘Sort of, yeah, I came with some friends, but I seem to have lost them. Ah well!’ He smiles again. Ideally, he would have long or semi-long darkish hair, be tall and slim. Depending on my drunkenness, their resemblance to this picture varies somewhat from night to night.
‘Would you like another drink?’ I offer.
He realises this offer ties him to me, he accepts without blinking: ‘Yeah, sure!’
He stands about beside me as I order him whatever he was drinking before and myself another wine, this time another bartender completely fills the glass, delighting me into giving him a one-dollar-seventy-tip.
‘So what do you do? Are you studying?’ he looks at me, trying to figure it out for himself.
‘Well, not really. You see, officially, I’m a traveler, I’m from Belgium. I graduated from uni last July and I just felt I needed to do something else, you know, so I decided to come here, just because it seemed like the most logical thing to do. I’m here on a Working Holiday Visa, but I’m not really working here. I’m a freelance translator and that makes great money so I don’t have to go about working in farms and stuff like that.’ I smile.
‘Wow! That sounds really cool! I’m studying ceramics, I still got two years left. After that, I’d really like to go traveling too,’ I realise I forgot to ask him what he did, ‘how long are you in Melbourne for?’
‘Until August, but I’m going to New Zealand in July for two weeks. After August, I’ll travel along the east coast of Australia, then I’ll go to Hong Kong and Thailand in September.’ As I explain this, I become aware of how he now sees my presence there as a definite search for carnality, as no long-term benefits could ever be gained from our acquaintance. Considering he’s stuck with studying ceramics for the next couple of decades (or whatever they’re studying), the only thing we seem good for is sex.

A bit later, having noticed we don’t seem to have all that much common ground, we take to the dance floor where we dance (and make out) until it becomes appropriate for one of us to say: ‘Do you want to go home?’ I am taken to some suburb I have never been, to some house and some bed I have never been and to some sex I’ve never had.

Waking up, I only seem to remember some flashes of the sex I had the night before. I try to focus my mind on it, but I only seem to vaguely remember the position in which I came. Puzzled, I seem unsure whether or not he came too last night. I let go of that thought and press my naked body closer to his, trying to get some more sleep. When he wakes up, he sees my naked self, murmurs something about me being beautiful and tries to excite me for some more sex. My penis struck with rigor mortis, I explain I’m not at all a morning person, something which he will soon see confirmed by my extended waking-up ritual.

He asks me for my number, which I give to him. He has no problem saving it under “Tim” or “Tim Belgium” or “Timpeltje” and then he recites his own telephone number to me, which I punch into my mobile. When I press “Save number as” I either squint and say something about being bad at remembering names or I just enter a description about the guy in question. “Ceramics-guy” in this case.

I ask him where I am and how I get home from his place.
He tells me I’m in suburb X and that I need to get on tram number XX in order to get home.
We say goodbye and I step on the tram. I’ll stare vacantly out the window until I’m fairly close to home. I get home and don’t do anything for the rest of the day apart from recovering from the hangover.

He’ll send me one or two text messages to which I won’t feel like replying and then I’ll never see or hear from him again, which is exactly how I want it.

/timpeltje

BUT, this didn’t happen tonight, as I was writing down what would have happened IF I had gone out tonight, which I didn’t do. So it’s all fiction. Nothing’s true of it. I swear. I would never do it like that!

A year of this, a year of that…

It’s been about a year now since I started this journal thing. I have stored copies of all I’ve written on my computer, and I’ll start re-reading everything in some of the days to come. I guess it started out as a means of communication, an indirect way of telling people (well, beloved Vince only at first) how I felt about things as getting through to me is not easily done. You could see it as a way to let people (again, Vince only at first) know who I was, to become more open about my writing as well (and I’m sure it helped). It became a place to vent emotions, to write uncaringly if everyone ever read my ramblings on whatever subject I was talking about.

One year ago, I was probably studying literary science with my mind only focussed on desire and desire for. My desire hasn’t changed per se; desiring is progress, desire for is thinking ahead, it moves forward, a continuous emotion that cannot be stopped. Stillness can also be desired, but it’s still desire for. Desire can be destructive, it can turn out to be detrimental for your own and other people’s health when all you want it to be is fulfilled.

It’s difficult to imagine myself a year ago, stirred with emotions, giving up my depressed state of neutrality for one of desire and moving forward. I had to learn how to show my emotions all over again, I didn’t master it completely (as destruction was imminent), but this thing helps somehow.

Being in a city now where I know virtually no one (and virtually no one knows me), I do sense my own loneliness through the coldness of the city itself. My efforts to get to know people proved to be mostly in vain, as all I appeared to be good for was my body (one or two exceptions excluded).

I’m still afraid, one year on, to explain what I really feel. Maybe I don’t even feel anything, maybe I’m just trying to hide my condescending nature (which, in essence, is also a feeling) behind some of my schizofrenic selves.

Then have I changed at all? I’m sure I have, I can express certain things better, be more open with myself and other people. At least I’m happy to know something now I didn’t know a year ago, i.e. that I’m capable of love and that I am in love.

If this journal is all that remains, then so be it.
It won’t keep me from starting its second year.

Introspection – A reflection

Passport N°EF547552

‘Without you, I am nobody,’ I whisper,
‘I exist because of you, because of your
image of reality that alleviates me from
proving time
and time again who it is I actually am.
Without you I couldn’t get as blissfully
drunk as I do, hardly remembering who I am,
though I know you’re there to tell me.’
‘I look at you, I see myself,’ you say,
‘I see a slightly older me, more mature,
less static, but eternally dependent on me.’
‘I have only you to escape with,’ I mutter,
wondering if all I really am is you.

timpeltje